Miss Potter

I saw this film on December 17th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

This is the story of Beatrix Potter, the author of many classic illustrated children’s stories such as “Peter Rabbit.” She was raised in the latter part of the 19th Century in an upper middle class, stuffy family. And worked in the early part of the 20th Century.

It is a story of rebellion, and one woman’s liberation from knowing one’s place, settling on an arranged marriage, and quietly raising a family in the shadow of a man. Beatrix (Renee Zellweger) would have none of that. She had a dreamy artist’s imagination and talent and temperament from an early age and simply rebelled and lived in her own created world. When the world recognized her talent, she slowly became a part of the commercial world via the book publishing industry and a mentor/love interest (Ewan McGregor) and the mentor’s sister (Emily Watson).

The cast is brilliant. You go back in time with them a 100 years and live with and understand their stilted social mores. The art direction and cinematography are stunning and are worthy of Academy Award nominations.

There is one neat trick of animation that appears throughout this film. The drawn animal characters occasionally become animated, but only to Beatrix. It sounds hokey, but it is a clever way to demonstrate how real these characters were to their author. And, it’s why they have rung true to children and to adults for many generations.

Beatrix is a model for determination and pluck and steadfastness. This is a beautiful story beautifully told. Undoubtedly, this film will be compared to “Finding Neverland.”
“Miss Potter” is of the same high quality.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Freedom Writers

I saw this film on December 13th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Woodrow Wilson High School is located in Long Beach, California. The school is voluntarily integrated, and it isn’t working. The Asians, the Blacks, the Latinos, and a very few whites not only don’t get along, but also stay with their own and are part of protective and violent gangs. There isn’t much teaching or learning going on at the school. It is a warehouse for young teenagers until they can drop out or are kicked out.

With this background, an idealistic teacher (Hilary Swank) arrives to teach Freshmen English. She is very educated, pretty, middle class, non-ethnic, well-dressed, and smart. From day one, she doesn’t fit in the classroom with these tough kids, and she doesn’t fit in with the faculty, who have all but given up and resigned themselves to being the keepers of the student warehouse.

But our idealistic teacher will not give up. She slowly and painfully tries to teach by first learning about “…the pain…” the students feel. She encourages each of her students to keep a journal of their painful and difficult life, and then to share the journal with her. She also attempts to get the four ethnic groups to come together by getting them to recognize what they have in common; specifically, their music, their movies, their broken families, and their broken community surroundings.

While struggling with the students, she has to deal at the same time with two complicated and demanding male relationships. Her husband (Patrick Dempsey) is often supportive, but often jealous of her time commitments. Her father (Scott Glenn) is often disappointed of her career choice, but often proud of her courage and tenacity.

This story feels real. It is beautifully done. The acting of Swank, Dempsey and Glenn is professional and believable. More importantly the story highlights our society’s challenges in schooling the children of poor and one-parent families.

The movie doesn’t give miracle answers. But it does give hope. And in the end, sincere effort appears to count for something … maybe everything.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

We Are Marshall

I saw this film on November 21st, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

This film is based on a true and tragic story. On November 14th, 1970, the Marshall University football team, football coaches, athletic staff, key alumni, and friends were flying home to Huntington, West Virginia after an away game against East Carolina. Their plane crashed killing all seventy five (75) aboard.

How do a University and a small town of 50,000 people respond to a massive tragedy that affected so many students and town residents? This movie is about their struggle
to come to grips with that tragedy.

Without bitter rancor and with humility, some felt the University should start up a new football team and persevere through a long rebuilding process to honor the dead. Others, again without rancor and with humility, believed that starting up a football team would be too painful a reminder of the tragedy.

It was decided to start a new football team immediately and play the next season in 1971.
This movie is primarily about the difficulties of the development of the team.

Matthew McConaughey plays the new Head Coach brilliantly and believably. He is a combination of country bumpkin enthusiastic huckster and a wise man. And he does it simply because he believes – “Maybe I can help.” He displays courage and perseverance and makes sacrifices with a career move that could throw him out of his beloved profession, head football coaching, forever.

The town and University have to quickly break the Vince Lombardi-like notion that you play the game of football for one reason only – to win. They learn how you play the game matters, and even simply showing up is a kind of victory too.

This is a compelling story well told and very moving.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Charlotte's Web

I saw this film on November 13th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

There is a lot of responsibility to be taken on when you put an E.B. White classic book to film. There is even more responsibility when there is already a wonderful and popular animation video of the book available. But this film takes on this responsibility in spectacular fashion. Half live animal animation as in “Babe” and half live action, the film is stunningly made.

The story is about the runt of a pig litter. There are ten teats available and eleven piglets. The eleventh piglet is doomed to be destroyed until the farmer’s daughter (Dakota Fanning) saves and adopts the runt who is named Wilbur.

Finally the piglet, Wilbur, gets to be too big to be a pet in the house and is sent across the road to another farm. The farm animals and Wilbur become “humanized” as we understand their animal talk. Five (5) goats, two (2) cows, two (2) geese, one (1) horse, one (1) rat and one (1) spider become a microcosm of society and Wilbur’s family and friends and neighbors.

It sounds preposterous, but it is utterly believable because the special effects are so good it all seems real and your disbelief disappears so you can get lost in the story. And … what a story.

Wilbur slowly realizes that he is an animal raised for his meat and the end of his life is months away and he is disconcerted to say the least. But he has a friend determined to help him out – a spider named Charlotte (voice by Julia Roberts), who will try many things to keep Wilbur as a permanent farm animal and not just food on the table for the farm family.

The society of animals have many lessons to teach children (and adults); specifically, friendship, sacrifice, living with the death issue, hope, determination, love, duty, fairness, respect, humility, and much more.

However, this is not a heavy lesson on mature life issues. Laughter and joy permeate the film and puns and chuckles are everywhere throughout the film.

The artistry of the film is outstanding. The farms and surroundings are idyllic. The synchronizing of the words and animal movements are right on. Everything on the screen leads you to believe the story is real.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Amazing Grace

I saw this film on October 10th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

This is an inspiring story based on a legendary historical British Member of Parliament, William Wilberforce. During the late 18th century and early 19th century, a very young Wilberforce is elected to Parliament and over the course of several decades leads the fight to ban slavery.

Today this seems like an easy, obvious and intuitive decision. But this was not so 200 years ago. The film clearly explains the entrenched economic motives and the political motives for slavery. Wilberforce starts out as almost a force of one and slowly builds abolitionist momentum by brilliant oratory, political maneuvers, and appealing to his fellow man’s better nature.

Ioan Gruffudd is totally believable in explaining to the audience the complexity and heroism of Wilberforce. Wilberforce over the course of his life is sickly and strong, religious and worldly, naive and romantic, and idealistic and practical.

During the course of this mostly political story, we get to see the immense cruelty shown to the captured Africans turned into slaves. We are shown the slave sailing ships where the captured are treated inhumanely and die of starvation, neglect, disease, and filth. Man’s inhumanity to man was never worse.

Wilberforce is a great man of history even though mostly forgotten today. He respected his fellow man regardless of their station in life. He was always willing to sacrifice his life and health to help others. And his compassion and spirit was always masked by his humility. He is a hero for all ages.

This is a period piece and you are lost in it because of the attention to detail. The sets, art direction, and costumes allow you to totally suspend disbelief and be moved by the story.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Happy Feet

I saw this film on October 2nd, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

It’s not easy being a young penguin when you can’t sing and singing well is how you find your one true soul mate. The mating happens when young couples are attracted to each other’s own rendition of their heart song. And to make matters even worse, the young penguin, Mumble, is a natural tap dancer, which is not appreciated by his parents or his teachers or the penguin colony. And to top it all off, there is a shortage of fish and no one knows why.

The unhappy young Mumble runs into 5 small Latino penguins from another penguin colony and the adventure takes off. The story line cuts back and forth between the fish shortage environmental mystery and Mumble’s attempt to be attractive to Gloria, his love interest. Along the way he runs into penguin eating birds and penguin eating mammals and almost alien-like man made machines.

This is a musical comedy animation and the songs are classic rock and the dance routines are Broadway-theater clever and these songs and dances never stop throughout the film.

Mumble is a loser in the eyes of his peers, and feels a lot of pain. But he is also heroic and brave and optimistic and he never gives up. Those traits do not let him down. Mumble can pass on an important message to young people. It’s your attitude that can carry you through successfully in life. It is not always about physical attributes and physical beauty.

Robin Williams voices Ramon, one of the small Latino penguins, and also Lovelace, the flim-flam psychic of the Latino penguin colony. Robin Williams’ two characters are over the top which is perfect for the normally over the top Robin Williams. This comedic element keeps the film from taking its adult themes too seriously.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

The Queen

I saw this film on September 25th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Normally I am careful not to give away the ending of a movie in a comment. In this case, the story and the ending are already known. In 1997, Princess Diana died in a car crash in Paris trying to escape from the paparazzi. This was about a year after her divorce with Prince Charles. Great Britain and the world mourned her loss in a surprisingly large way. It was as if Princess Diana was an assassinated world political or spiritual leader.

The royal family did not initially react to her death in a human or sensitive way. They alternately said it was a private affair or Princess Diana was no longer royalty since the divorce or we are protecting Princess Diana’s two sons or let us grieve alone. But, they were coming off as cold and standoffish to the English people and they were causing the monarchy system to become unpopular and even despised. In steps the new young Prime Minister, Tony Blair, influences Queen Elizabeth II to mourn in public and bring a humanity to the English monarchy.

The real story is the journey of Tony Blair and Queen Elizabeth II to get to this final destination.

It is hard to separate what is fact and what is made-up in this film. Many facts are certain because you see historical footage of the bunches of cut flowers growing in front of Buckingham Palace and the then President Clinton making a statement and many clips of Princess Diane throughout her life. But the many behind-the-scenes conversations had to be invented or recalled, so it has to be part fiction and part fact.

The monarchy is not treated kindly in this film. Prince Philip comes off as insensitive and a bearer of grudges. Prince Charles appears to be weak. Queen Elizabeth II, played brilliantly by Helen Mirren, comes off as reserved and complicated. And Tony Blair, played convincingly by Michael Sheen, trumps the royalty by being real and wise and likeable.

The storytelling is compelling. Even though you know what will happen, you are intrigued by how the characters get to their ultimate positions.

In the end, Queen Elizabeth II and Tony Blair display a profound love for their country.
It is really a story about public dignitaries trying to do the right thing for their country and their families.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Beyond The Gates (aka Shooting Dogs)

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2006. The Heartland Film Festival is a non-profit organization that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

As the film starts, I first thought that “Hotel Rwanda” told this story, albeit differently, and there was no reason to do it again. As the story progresses, my next thought was that you can never stop telling this story again and again – 800,000 dead, mostly Tutsis, at the hands of the Hutus, the majority in power. “The Diary of Anne Frank” could not tell the whole story of another genocide 45 years earlier when the Nazis slaughtered many millions of Jews. There was room, and a need for “Schindler’s List.”

This film revolves around a school in Rwanda in 1994 under siege. Inside of the school are many black Tutsi students, a UN peace-keeping force with a sympathetic Belgium Captain, a dedicated young white teacher, and the school head, a Catholic priest named Christopher, played brilliantly by John Hurt. The school is surrounded by machete-bearing Hutus waiting for the chance to kill any Tutsi they find whether they are a baby, a woman, an old man, simply any Tutsi, who they, the Hutus, derisively call cockroaches. Mans’ inhumanity to man could not be displayed in a more ugly fashion.

What does a well meaning, civilized person do when confronted with indescribable savagery? Run for safety or futilely stay and die?

This question is answered differently by different characters. The priest is losing all hope, but is innately courageous and focused on his faith. The UN Captain is sympathetic, but like any soldier feels driven to follow orders even if his superiors are remote and insensitive. The white teacher has great affection for the Tutsis, but is just starting out in life. A BBC reporter leaves the under siege school when first given the chance and states what might be true for most of us: “We’re all selfish people in the end.”

“Hotel Rwanda” was nominated for three Academy Awards for acting and writing. This film has the same high caliber of acting and writing as well as art direction and directing. It is moving without being exploitive. It is true, compelling storytelling that will haunt you for a long time to come.

The headlines about the genocide in Darfur in the Western Sudan will have a new unsettling meaning for you.

FYI – There is a Truly Moving Pictures web site where you can find a listing of past Crystal Heart Award winners as well as other Truly Moving Picture Award winners that are now either at the theater or available on video.

Mother of Mine

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2006. The Heartland Film Festival is a non-profit organization that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

During World War II, the powerful Russians invaded small Finland. The Finns resisted mightily. But, many Finn parents were afraid for their children’s safety and 70,000 were sent to Sweden for their own safety.

Eero, a 9 year old Finn boy, was one of these children who was sent away to neutral Sweden after his father-soldier was killed in battle. His natural mother did this with much love and sorrow. Eero was her only child and the reason for her existence. Eero does not want to go, and he misses his father.

When Eero arrives in Sweden, he is assigned to a foster home on a farm in a very remote region. The new foster-father is loving and nurturing, but the new foster-mother is cold and bitter because she recently lost her only child, a daughter, in an accident. But slowly Eero is accepted by the foster-mother too, and Eero feels loved and secure and happy, and actually stops missing his natural mother.

Then, Eero’s natural mother asks for his return.

Eero, as an older man looks back at his childhood, sometimes tragic and sometimes wonderful, and tries to make sense of it.

The viewer is struck by the great sacrifices the two mothers made for Eero. Mothers are vital to their children because they will always personally care for them. But in extreme circumstances, sometimes letting them go can be just as vital. But certainly it’s much harder.

This film has wonderful acting, directing and cinematography. The bleakness of the Swedish landscape and the simple, dignified lifestyle of the people are brilliantly displayed.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Crystal Heart Award winners as well as other Truly Moving Picture Award winners that are now either at the theater or available on video.

Secret of the Cave

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2006. The Heartland Film Festival is a non-profit organization that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

Roy, a Seattle-raised young teenager, is dropped off or abandoned for the summer by his distant father in a small, remote, ancestral fishing village in Ireland. Even though the people of the village are warm and friendly, though eccentric, and the landscape is drop-dead gorgeous, Roy is not happy with his situation.

But quickly Roy finds a mystery to solve. The superstitious townspeople believe in ghosts, and even Roy see ghosts – or something like ghosts. Roy vows to “…figure out what’s going on around here.”

The ghosts appear to do good things for the villagers such as dropping off food to the needy, repairing church bells, fixing fishing boats, repairing watches, and more. Who are these ghosts and why are they doing this? The answer seems to revolve around a cave on the edge of the ocean.

With courage and heroism, Roy faces his fears and begins the coming-of-age chapter in his life.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Crystal Heart Award winners as well as other Truly Moving Picture Award winners that are now either at the theater or available on video.

End of the Spear

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2005. The Heartland Film Festival is a non-profit that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

The film, which is based on a true story, starts in 1956 in the Amazon basin in Ecuador. Five missionaries are savagely killed by a primitive tribe. But that is the beginning of the story and not the end of the story.

The missionaries’ wives and children take on the work of their fathers and husbands.
They and we, the audience, are forced to examine violence and how we react to violence and the possibility of forgiving the perpetrators of violence.

The missionaries and their families display incredible human traits. They display courage in the face of danger – they are willing to sacrifice a normal life to help others – they show respect and tolerance to primitive people. But most impressive of all, they retain their humility and do not look down on others.

The cinematography and music are stunning. The Amazon jungle becomes the third character along with the tribe and the missionaries. And all three characters relentlessly attempt to survive and prevail.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Crystal Heart winners that are now either at the theater or available on video.

The Ultimate Gift

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2006. The Heartland Film Festival is a non-profit organization that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

This is a story of a very rich dysfunctional family. Red Stevens (James Garner) is a crusty, old billionaire who dies suddenly in an air crash. But, Red has planned for his death carefully. He has videotaped an elaborate will. His spoiled and unappealing adult children receive enough to be set for life, but the status of the bulk of the estate remains a mystery. For his grandchild, Jason (Drew Fuller) , Red has special and unknown plans. Jason, by the way, is the ultimate rich-kid, lazy, shallow brat. Through Red’s lawyer, Jason is given a number of elaborate, time-consuming tasks and challenges that Red calls “gifts.”

There are many of these “gifts.” The viewer has the distinct impression that these will either make Jason or break Jason. While doing these tasks in order to get an anticipated pot-of-gold, Jason is mentored and guided and even loved by a Texas rancher (Brian Dennehy), a wise lawyer, a single mother (Alii Hillis), her young daughter (Abigail Breslin) who has leukemia, and an Ecuadorian guide. Jason can’t make it without these true, unselfish friends.

The story plays out as a mystery. How many tasks are there? Will Jason tire of the time-consuming and dangerous tasks and quit? Why does Red choose Jason and not the many other numerous children and grandchildren? Is there a pot-of-gold at the end of these tasks? Why is everything shrouded in secrecy? It is profound and interesting storytelling. You want to know the answers to these questions.

As the film progresses, Jason begins to turn for the better, but you never know whether he will finally make it to become a fine human being; specifically, displaying traits like respect for others, sacrifice, heroism, humility, compassion, and fidelity. Or, will he go back to his playboy lifestyle?

The acting in this film makes the storytelling believable. The acting is outstanding and it is a toss-up whether the young people dominate your attention or the old people dominate your attention.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Crystal Heart Award winners as well as other Truly Moving Picture Award winners that are now either at the theater or available on video.

Outlaw Trail

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2006. The Heartland Film Festival is a non-profit organization that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

Remember the ending of the film, “Butch Cassidy and the Sundance Kid”, when Paul Newman and Robert Redford are in Bolivia and they rush out the front door to escape many armed government troops? The story ends there and we just assumed that Butch and Sundance died and we were spared the gore.

“Outlaw Trail” assumes that Butch didn’t die and in fact came back to his home in the West to make amends for his life of crime. Or, at least that is what Roy Parker thinks. Roy Parker is a teenage boy whose great uncle was Leroy Parker, better known as Butch Cassidy. It’s 1951 and Roy lives in the same town as all the Parkers have lived, and Butch Cassidy has always been a major embarrassment to the family.

Roy is out to prove everyone is wrong about Butch Cassidy and he inadvertently gets help from the evil local museum director and his two criminal cohorts who Roy spots stealing artifacts from an old mining site. These three criminals are after the treasure that Butch Cassidy may have hidden and revealed in a map that is part of these stolen artifacts. But Roy is just out to clear his family name.

Roy and three friends alternately are chased by the three bad guys or chase the three bad guys in a plot that twists and turns all over Wyoming. The film plays like “Raiders of the Lost Ark.” It is complicated, full of adventure, farcical at times, and relentlessly entertaining.

But ultimately it is a story about Roy looking for the good in someone that was always thought of as an outlaw. It’s Roy’s faith in his family’s goodness that drives the story, and relying on this faith, Roy displays courage and heroism far beyond his age and experience in life.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Crystal Heart Award winners as well as other Truly Moving Picture Award winners that are now either at the theater or available on video.

Lassie

I saw this film on August 24th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Obviously this is an often-told tale about a boy and his beautiful and intelligent collie. But … this is an especially fine telling of that story and specifically of the loyalty and love that can happen between a boy and his dog.

The story is set in England prior to World War II. The boy, Joe, is from a working class family and the father loses his coalmining job when the coal peters out. Lassie catches the eye of a rich Duke played by Peter O’Toole and Joe’s parents reluctantly sell Lassie to obtain much needed cash. This causes Joe to go into a deep sadness. But to make things worse for Joe and his parents, Lassie regularly escapes the Duke’s dog handler and finds his way back to Joe. Over and over the dog is honorably returned to the Duke because a deal is a deal.

Finally the Duke goes off to his other home in Northern Scotland 500 miles away and takes Lassie with him. Lassie escapes again and the rest of the movie revolves around the impossible attempted journey back to Joe.

Lassie is obligated to steal the movie, but he doesn’t quite do this. There are too many other interesting things going on. Peter O’Toole is a great curmudgeon with a slowly revealed heart of gold. The English countryside is gorgeous. And the rich class- poor class dichotomy is adroitly told.

Honor and integrity and human dignity are human traits that can be shown by anyone despite their age or sex or income or social status in life. That’s a message worth communicating in a movie.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Flicka

I saw this film on July 7th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Set in a stunningly beautiful ranch in Wyoming, Flicka is a story of a rebellious teenage girl and a naturally rebellious and wild, mustang horse.

The girl, Katie, is the only daughter in a long line of ranchers. She is a bad student, but it is because she is a dreamer and longs to be on the family horse ranch instead of at an exclusive Boarding School. Her father wants her to finish high school and go to college. She is constantly in a struggle with her father over her long summer break not only because of her lack of interest in academics, but also because she finds a mustang (she names Flicka) in the wild and wants to keep it.

She wants to break and ride the mustang, but her father insists that a mustang doesn’t belong on a quarter horse ranch. And, they are going through tough economic times. The ranch of many thousands of acres is worth a fortune to land developers. No one wants to sell out, but they may be forced to. Katie has an older teenage brother who works the ranch because he feels it’s his duty. He actually is the opposite of Katie. He wants to leave the ranch, go off to college, and experience the world.

It all sounds like a dysfunctional family. But it isn’t. The father, mother, daughter, and son love each other deeply. As they struggle with their economic problems and coming-of-age problems, their love and fidelity to each other are the only things that have a chance to keep them together.

The cinematography and art direction are exceptional. You are actually there in Wyoming and can understand why people never want to leave the remote and beautiful West, and why they love their horses.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Cars

I saw this film on May 31st, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

The most famous streak in sports is probably Joe DiMaggio’s 56 game hitting streak. The most famous hit streak in film entertainment is probably Pixar’s feature film animation streak. With “Cars”, it’s seven in row for outstanding storytelling that is well executed and is (or will be) rewarded with blockbuster box office grosses. “Toy Story”, “Toy Story 2”, “Monsters, Inc.”, “Finding Nemo”, “The Incredibles”, and “A Bug’s Life” are the other six gems.

The story is about Lightning McQueen a rookie NASCAR-type racer. Of course, he is a car and not a human; or, he is a human in the form of the car. Take your pick. Either way, he is not an attractive persona. He is selfish, unappreciative, greedy, two-faced and has no real friends. But, he is a great driver and is tied for The Piston (read Winston) Cup annual championship with two other drivers. On the way to the runoff race in California, he accidentally gets off in a sleepy and forgotten town on Route 66 named Radiator Springs.

In this hillbilly hell of a town, he is punished for speeding and tearing up the road by the sheriff. As he serves his sentence with community work, he discovers the town is inhabited by rejects and misfits, who all have hearts of gold. Can they change Lightning and make him over to have positive traits like honesty, integrity, respect, honor, sacrifice, humility, and compassion? That’s the drama that unfolds. Lightning is a hard case, and the outcome is always in doubt.

The cars/people are incredible. Shortly into the movie you forget that the people are cars or the cars are people, you suspend disbelief, and you just begin to watch an engaging story about real people. The windshields are their eyes, and the grilles are their mouths, and they display emotions as well as any human actor. The story is serious and light-hearted at the same time. The puns are too numerous to catch. And this is a must-see-twice-to-get-it-all movie.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

The Lake House

I saw this film on May 26th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

An attractive, educated, professionally fulfilled Doctor (Sandra Bullock) “meets” an attractive, educated, sensitive architect (Keanu Reeves) via letters and a past common residency of a particular lake house. What could be the problem? The problem is that they are currently living two years apart and then again at the exact same time in this romantic, heart-wrenching, dramatic fairy tale.

The Doctor leaves the lake house in rural Illinois in 2006 in order to advance her career and find happiness in Chicago. She leaves a note to an unknown-to-her new tenant, the architect, to forward her mail. They correspond to each other and slowly discover that he is actually living in the house 2 years earlier in 2004. And … they share the same dog. But somehow the viewer can suspend disbelief and get into the story because the two characters are believable and intelligent and are initially just as skeptical of the time riddle as the viewer.

Keanu Reeves and Sandra Bullock re-unite for the first time since “Speed.” The genre of “The Lake House” is completely different, but the actors are just as complementary and likeable in this fantasy tale. They both display a deep, patient, and profound love for each other. And they do so with grace and charm and a chemistry that can’t be readily explained.

Much of this film plays like a mystery with mothers and fathers, siblings, and boy and girl friends weaving in and out of the story in the present time of 2004 and the present time of 2006. But through it all, the Doctor and the architect ultimately never lose hope that they can solve this time puzzle and can actually be together at the same moment in time.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Saving Shiloh

I saw this film on April 5th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

This film is about a 12 year old boy growing up and coming of age in a small, picturesque town in the Midwest. Even though his family is of modest means, he has an ideal life with a loving family consisting of his father, mother, two little sisters, and his beagle dog, Shiloh.

The boy takes on a challenge. He befriends an old, cantankerous man who has no friends or family, and is rumored to be involved in everything from dog beating, to burglary, and even to a current murder investigation. This old man was abused as a child and seems to be a hopeless cause. His cause seems hopeless not only because of his behavior, but also because he is forever the victim of gossip. The boy looks for the good in the old man even though he is not sure if he will succeed or whether the old man is capable of change.

Along the way, the boy confronts other challenges closer to home. He has a senile Grandmother who appears to be an Alzheimer victim and is difficult to love. He also has a rebellious young sister who is a constant pain.

Displaying sacrifice and compassion well beyond his years, the boy learns valuable lessons about life. However, this is not a preachy movie. The morality statements are understated, and the children are surprisingly fine actors who mostly display the fun of being young and open and naïve. The whole family can enjoy this movie, which is part mystery, part adventure and part family drama.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Take The Lead

I saw this film on March 28th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival’s Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

The setting is a rundown high school in a poor minority neighborhood in Manhatten.
The students have a challenging family environment. Their parents are depicted as mostly unemployed and drunks, drug users, prostitutes, and low-lifes. Their children reflect this environment. They hide their low self esteem with bravura, petty crimes, slang, rudeness, indifference and, above all, their love of hip-hop music.

By accident and fate, Pierre Dulaine (Antonio Banderas) walks into the Principal’s (Angela Bassett) office. He is challenged to work with the worst of the students as a volunteer in the detention hall after school. Pierre is an ex-professional ballroom dancer and runs a ballroom dancing school. He decides to get to the kids with ballroom dancing.
His competition is hip-hop music and hip-hop dancing and the ghetto, chip-on-the-shoulder attitudes.

Pierre tackles his assignment with presence. He is impeccably dressed, polite, and exudes intensity and confidence. Over time and with difficulty, he starts to bring the troubled teens up to his level. He never goes down to their level. And then he challenges the teens with a city-wide ballroom dance contest, and the story takes off.

Pierre attempts to give hope to the students by having them make good choices. Pierre’s tools are his own spirit, grace, sacrifice and charm. He wills his way into getting respect from the students.

The movie has the same inspirational feel as “Mad Hot Ballroom” but is much different. This film is fiction and about older students and is much more edgy and brutal.

While the film is occasionally edgy and dark, the music and dance makes this strangely a light and entertaining watch for most of the time. And the music and dance are eclectic – from Gershwin to 50 Cents and from Tango to slow motion Breakdance.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Sophie Scholl

I saw this film on February 14th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

The place and time are Nazi Germany of 1942-43. Germany is starting to have serious war setbacks like their huge loss and immense casualties at Stalingrad, and the allies, consisting of England, the United States, and Russia, are united in the destruction of the Third Reich. Within Germany, the opposition to Hitler, the Gestapo, and fascism is laughably small. Students with mimeograph machines try to educate and motivate other students to rally and protest. These students have to do this clandestinely because their activities are considered high treason and there is no freedom of speech or assembly.

Sophie Scholl and her older brother Hans are caught distributing subversive, anti-Hitler literature. The film focuses on the 21 year old Sophie, and she is NOT the weaker sex. She is interrogated for days and she is a spectrum of people far beyond her years; i.e., young, afraid, conniving, brave, docile, belligerent, religious, tough, tender, mature, etc.

The film is shot in color, but the color is heavily muted and it looks almost black and white. That is appropriate because the film plays as much as a documentary and as it does as a fictional drama. In fact, this story is based on a true story.

We live in a time when the head of Iran thinks the Holocaust didn’t happen. It is moving to see that at least some young people in Germany during World War II were ashamed and disgusted by their country’s murder of Jews, the mentally ill, gypsies, and women and children of occupied countries.

Sophie’s religious beliefs were inspiring. She did not blame her God and she did not feel forsaken. God was simply her strength that she humbly called upon when she needed it most.

This film appears to have been made with a low budget. But, the impact is as powerful as large-budgeted films with similar themes like “Schindler’s List” and “A Man For All Seasons.” It has been nominated for an Oscar as Best Foreign Picture this year. And…it deserves the nomination.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Tsotsi

I saw this film on January 19th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Tsotsi is a leader of an informal black criminal gang in South Africa. They are simply awful and inhuman and cruel and uncaring. We may understand why they act this way as we see the segregated black slums they live in, and, through flashbacks, their orphan-like upbringing, but you can’t bring yourself to forgive them for what they have become. They are some of the worst thugs of the earth.

And then, a tipping point moment comes to the leader Tsotsi. As he commits a car theft from a wealthy neighborhood, he unknowingly kidnaps a baby. He can’t bring himself to let the baby die.

Tsotsi clumsily attends to the baby in his small, tin can slum house. He becomes a hybrid human; that is, half good and half evil.

The drama of the film is the tension of not knowing how he will turn out. And he surely can go either way. His gang of friends are a noticeable contrast to where Tsotsi’s head and morality is. They are pure evil.

The movie is sub-titled but there is not much dialog among these uneducated almost simpleminded underclass of young men. The powerful impact on the screen is created by the sordid environment and the realism in the facial expressions of the gang. The film is also driven cleverly by the African hip-hop like music.

The film looks at the question whether the worst of our humans on earth can change and tip back into being civilized.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Nanny McPhee

This film was specially shown on January 17, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

There are seven rather naughty children who have creatively and gleefullydrove away seventeen nannies who tried to tame them. But they have met their match with the hideous looking Nanny McPhee played by Emma Thompson. Thompson wrote the screenplay and with great make-up plays Nanny McPhee. Thompson is a consummate artist and is the only person ever to have won an Oscar for writing (“Sense and Sensibility”) and also to have won an Oscar for acting (“Howard’s End). Thompson brings class to this Victorian-era, dark, fractured fairy tale.

This is a laugh out loud farce. And young people and old can share in the humor. While the film is designed for kids, the adult accompanying the child will enjoy it almost as much.

There are positive messages, for parent and child, throughout the film. The seven children are taught to listen and to be courteous and to be responsible and to think through things for themselves, and you watch their behavior evolve. In the beginning, goodness looks ugly to the children. But as they learn what goodness truly is, it takes on a beautiful appearance.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.