Sunday, August 21, 2011

Plan B 4.0 Mobilizing To Save Civilization by Lester R. Brown - TV and Radio Dramas Change Behavior

"While the attention of researchers has focused on the role of formal education in reducing fertility, soap operas on radio and television can even more quickly change people's attitudes about reproductive health, gender equity, family size, and environmental protection. A well-written soap opera can gave profound near-term effect on population growth. It costs relatively little and can proceed even while formal educational systems are being expanded.

The Power of this approach was pioneered by Miguel Sabido, a vice president of Televis, Mexico's national television network, when he did a series of soap opera segments on illiteracy. The day after one of the characters in his soap opera visited a literacy office wanting to learn how to read and write, a quarter-million people showed up at these offices in Mexico City. Eventually 840,000 Mexicans enrolled in literacy courses after watching the series.

Sabido dealt with contraception in a soap opera entitled Acompaname, which translates as Come With Me. Over the span of a decade this drama series helped reduce Mexico's birth rate by 34%.

Other groups outside Mexico quickly picked up this approach. The U.S.-based Population Media Center (PMC) headed by William Ryerson, has initiated projects in some 15 countries and is planning launches in several others. The PMC's work in Ethiopia over the last several years provides a telling example. Their radio serial dramas broadcast in Amharic and Oromiffa have addressed issues of reproductive health and gender equity, such as HIV/AIDS, family planning, and the education of girls. A survey two years after the broadcasts began in 2002 found that 63% of new clients seeking reproductive health care at Ethiopia's 48 service centers had listened to one of PMC's dramas.

Among married women in the Amhara region of Ethiopia who listened to the dramas, there was a 55-percent increase in those using family planning. Male listeners sought HIV tests at a rate four times that of non-listeners, while female listeners were tested at three times the rate of female non-listeners. The average number of children per woman in the region dropped from 5.4 to 4.3. And demand for Contraceptives increased 157 percent."

Sunday, August 7, 2011

Drew Westen - NY Times - Why stories matter

"The stories our leaders tell us matter, probably almost as much as the stories our parents tell us as children, because they orient us to what is, what could be, and what should be; to the worldviews they hold and to the values they hold sacred. Our brains evolved to “expect” stories with a particular structure, with protagonists and villains, a hill to be climbed or a battle to be fought. Our species existed for more than 100,000 years before the earliest signs of literacy, and another 5,000 years would pass before the majority of humans would know how to read and write.

Stories were the primary way our ancestors transmitted knowledge and values. Today we seek movies, novels and “news stories” that put the events of the day in a form that our brains evolved to find compelling and memorable. Children crave bedtime stories; the holy books of the three great monotheistic religions are written in parables; and as research in cognitive science has shown, lawyers whose closing arguments tell a story win jury trials against their legal adversaries who just lay out 'the facts of the case.' "

Monday, September 6, 2010

Made in Dagenham

I saw this film September 2nd of 2010 in Indianapolis. I am one of the judges for the Heartland Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

In 1968 in Dagenham, England, a small number of women went on strike against Ford. The workers at the huge Ford finishing plant were overwhelmingly male. These women were striking for two reasons. First, their jobs were re-classified from semi-skilled to unskilled. Second, regardless of the job classification, they simply made a substantial percentage less than men whose positions were graded the same.

No one was on their side – not the Ford management (obviously), not the male-dominated union leadership, not their husbands and significant others, and not the government. And, these women were workers, not labor activists. They were truly amateurs.

They persevered and struggled. They showed daring and restraint – they showed courage and fear – they showed strength and weakness – they sacrificed and were oh so human in their once-in-a-lifetime chance to try to make a difference.

The story is told simply without tricks. But the story is interesting and matters because you slowly begin to care for the characters and you want things to end right.

We know today that women have a legal right to earn equal pay for equal work. You have to watch this movie to see if the women of Dagenham obtained that right.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Tuesday, August 10, 2010

Flipped

I saw this film in late March, of 2010 in Indianapolis. I am one of the judges for the Heartland Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

This is a coming of age film set initially and briefly in the late 1950s and mostly in the early 1960s. The boy, Bryce, is chased by his neighbor girl, Juli. And is he chased! Juli is immediately smitten or “flipped” by Bryce’s eyes and the story unfolds.

What is unusual about the story telling is that each major event is played back twice – once through the eyes and voice of Bryce and once through the eyes and voice of Juli. It’s the same scene, but you wouldn’t know that from their differing viewpoints.

Juli is the adventurous and interesting one. Bryce just wants to fit in at their Junior High School. Juli slowly begins to unlike Bryce and Bryce slowly begins to appreciate Juli. Will they ever meet at the same emotional place at the same time? That is the drama and story.

The art direction and era are right on. It is the Eisenhower and Kennedy years in look, and even in feel. The wives are subordinate to the husbands. The children are mostly respectful to their parents. And the teachers teach and the students learn. But, you can see the seeds being laid for the rebellious war babies of the late1960s.

Rob Reiner is a talented director for romances – “When Harry Met Sally.” And he is a talented director for handling young actors – “Stand By Me.” He combines these talents to help us understand the better part of the human condition; that is, love, respect, sacrifice, forgiveness, and honor. And we have fun and laugh along the way. This is like the TV program, “Wonder Years” – but heightened and deepened.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Saturday, July 24, 2010

Ramona and Beezus

I saw this film on May 12th of 2010 in Indianapolis. I am one of the judges for the Heartland Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Ramona and Beezus are sisters. Ramona is in grade school and Beezus is in high school. They get along pretty good for being quite different ages, but their real conflict comes with Ramona’s unique skill of getting into trouble or doing inappropriate things. Beezus, on the other hand, is the perfect daughter and sister.

Ramona is not mean spirited. She is a daydreamer and has an overactive imagination and has trouble focusing. This puts her into difficult situations. Oh yes, and she is unlucky too.

The small problems of Ramona quickly get dwarfed by the big problem of her Dad losing his job through no fault of his own. He has a hard time getting another job, and this causes financial and emotional stress for the whole family. This is the focus of the movie.

This is a delightful and funny and entertaining movie for young grade school children. It teaches many important lessons that are worth knowing and reinforcing. The most important lesson is that families have their ups and downs. But if they all remember they love each other and treat each other with respect, something positive can emerge from the downs or hard times.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Friday, May 21, 2010

Storytelling is vital to being a human being

"A need to tell and hear stories is essential to the species Homo sapiens--second in necessity apparently after nourishment and before love and shelter. Millions survive without love or home, almost none in silence; the opposite of silence leads quickly to narrative, and the sound of story is the dominant sound of our lives, from the small accounts of our day's events to the vast incommunicable constructs of psychopaths."

Reynolds Price
A Palpable God

Monday, March 8, 2010

How To Train Your Dragon

I saw this film in early March, of 2010 in Indianapolis. I am one of the judges for the Heartland Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

It’s in 3-D and it’s gorgeous animation. But what really matters is the story. And it’s a good one. At first it seems the main story is about a Viking colony equally distant from nowhere, which is being constantly attacked by a wide variety of marauding dragons. It’s a full time job trying to keep the dragons at bay and the Viking warriors are often out on their boats hunting their wily and ferocious opponents.

But really the story is about a father and chief of the Vikings who has a young son, Hiccup, who is small and who is a slick, sarcastic talker and who doesn’t take orders well, but still seeks respect from his impressive father. At first, his Father will not let his son be a warrior Viking, but later relents to have Hiccup train with the other youngsters. But the young boy gets sidetracked and instead of wanting to kill dragons, the boy befriends them and seeks to understand them.

A young and inexperienced son seeking approval of a strong father is an often-told tale. Sons often act foolishly trying to impress their fathers. And fathers often ignore the strivings of their sons. In this case, there is honor and courage on all sides and it is inspiring to watch the father and son wrestle with their relationship.

And yes, about the dragons – they ARE ferocious and talented and aggressive warriors.
But their motivations are a mystery that unfolds slowly. And that’s the fun of this film.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Tuesday, January 5, 2010

A Shine of Rainbows

I saw this film in December, of 2009 in Indianapolis. I am one of the judges for the Heartland Truly Moving Picture Award. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.” Heartland gave that award to this film.

Tomas is a young boy that is bullied and unhappy at an orphanage. He is suddenly and mysteriously adopted by a childless couple, who live simply and modestly on a very remote Irish island. The Mother, although in ill health, is a woman of astounding positive energy and beauty and sets herself to healing the mental and physical scars of the boy’s unfortunate upbringing. The Father meanwhile loves his wife dearly, but is far less excited by the recovering, damaged boy.

Intertwined with this awkward triangle relationship is light fantasy and legend and mystery of the gorgeous Irish coast. The Irish coast is so beautifully rendered that it is like a fourth character.

There is suddenly a great change in circumstances and two parts of the triangle have to come to terms with this tragedy. It takes courage and resolve and change and love.

The three actors of the triangle are vivid and hold your attention and each ultimately moves you emotionally in three different ways.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Tuesday, November 10, 2009

David Brooks on why humans need stories

November 10, 2009
OP-ED COLUMNIST

The Rush to Therapy

We’re all born late. We’re born into history that is well under way. We’re born into cultures, nations and languages that we didn’t choose. On top of that, we’re born with certain brain chemicals and genetic predispositions that we can’t control. We’re thrust into social conditions that we detest. Often, we react in ways we regret even while we’re doing them.

But unlike the other animals, people do have a drive to seek coherence and meaning. We have a need to tell ourselves stories that explain it all. We use these stories to supply the metaphysics, without which life seems pointless and empty.

Among all the things we don’t control, we do have some control over our stories. We do have a conscious say in selecting the narrative we will use to make sense of the world. Individual responsibility is contained in the act of selecting and constantly revising the master narrative we tell about ourselves.

The stories we select help us, in turn, to interpret the world. They guide us to pay attention to certain things and ignore other things. They lead us to see certain things as sacred and other things as disgusting. They are the frameworks that shape our desires and goals. So while story selection may seem vague and intellectual, it’s actually very powerful. The most important power we have is the power to help select the lens through which we see reality.

Most people select stories that lead toward cooperation and goodness. But over the past few decades a malevolent narrative has emerged.

Thursday, October 22, 2009

Eagle Hunter's Son

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2009. The Heartland Film Festival is a non-profit that honors Truly Moving Pictures. A Truly Moving Picture “…explores the human journey by artistically expressing hope and respect for the positive values of life.”

Tarek is an enigmatic and brooding young Arab man who has chosen to be a suicide bomber attacking Tel Aviv. But there has been a malfunction of his explosive equipment and he has to spend a weekend in Tel Aviv waiting until his problem is fixed.

While trying to fix his deadly gear, he makes Jewish people connections. They include an elder couple who welcome him to their home and feed him and confide in him. Tarek also meets a young attractive Jewish shopkeeper who is harassed by young conservative Jews who dislike her modern and stylish ways.

Now Tarek has a dilemma. It was easier to randomly kill via a terrorism act when you don’t know your enemy well. It is another matter to know the type of people you are about to kill or injure or psychologically scar. What will Tarek ultimately decide to do?

This is a taut and compelling tale rolling to its inexorable ending that is both anticipated and unanticipated. The Jewish friends show their humanity to their enemy (?) by giving up their prejudices and acting kindly to Tarek. Tarek shows his humanity in an unusual but altruistic and compassionate and courageous way. You begin to understand why the Arab-Israeli conflict is so hard to unravel and negotiate.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.